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Monday, December 30, 2013

Pink Floyd: Have a Cigar (1975)


Roy Harper sang lead vocals on “Have a Cigar” making it one of two Pink Floyd songs featuring a guest singer (The Great Gig in the Sky). The song is about the music industry and loss of innocence and idealism in the corporate world.  The work includes the line “By the way, which one is Pink?” David Gilmour reminisced that people used to ask the band this question all the time mistaking the group’s name for a person.


 

Sunday, December 29, 2013

Jeff Beck w/Rod Stewart: People Get Ready (1985)


Curtis Mayfield wrote this spiritual in the wake of the Civil Rights Movement He employed Gospel and religious themes to create a social and political awareness. Jeff Beck released an amazing cover version in 1985 with Rod Stewart on vocals. Beck played the song with Sting on vocals at the 2009 Rock n Roll Hall of Fame concert.


With Sting:


Curtis Mayfield:


 

Saturday, December 21, 2013

Ozzy Osbourne: Crazy Train (1980)


"Crazy Train" is about nuclear annihilation. The Cold War had grown colder following the Soviet Invasion of Afghanistan and collapse of Detente. As a result, people worried more and more about nuclear war. The song is memorable for Randy Rhoads guitar work. Later, Ozzy released a video for the song as a tribute to Rhoads, who died in a plane crash in 1982.

Tuesday, December 17, 2013

Bill Haley and the Comets: Shake, Rattle, and Roll (1954)


Big Joe Turner recorded "Shake, Rattle, and Roll" and scored a #1 R&B hit. Bill Haley covered the tune, but removed any illusions to sex. At the time, many white artists recorded songs written or recorded by black artists. Many of the black artists failed to gain compensation or notoriety from their work. However, in this case, Haley's recording helped Turner's version, which increased record sales for both. The pair eventually became fast friends.

Haley:


Turner:

Sunday, December 15, 2013

Warren Zevon: Werewolves of London (1978)


Despite a long and varied career, Warren Zevon is best known for "Werewolves of London." The song has a catchy up tempo hook while Zevon has lyrical fun. The werewolves both have tailors, dance with the queen, and drink pina colada's while at the same time mutilate old ladies and "rip your lungs out." Zevon gives a shout out to both Lon Chaneys and is accompanied on the record by John McVie and Mick Fleetwood of Fleetwood Mac. Kid Rock sampled the song for his own hit, "All Summer Long."

Zevon:


Kid Rock:

Saturday, December 14, 2013

Beatles top 10 songs

My own top 10 Beatles songs...just my favorites....extremely difficult to compile and subject to change on a whim...


I Am the Walrus

Please Please Me

A Day in the Life

Drive My Car

Get Back

Hello, Goodbye

I Should Have Known Better

Helter Skelter

Revolution

Strawberry Fields Forever

Friday, December 13, 2013

John Lennon: Mother (1970)


John Lennon unleashes childhood pain in 1970’s “Mother.” His mother was killed by a drunk driver when he was 17 and his dad abandoned the family when he was a baby. The song begins with church bells, which sound a bit like AC/DC’s intro to “Hells Bells” a decade later. The song is dark, sad, and very personal.

Monday, December 9, 2013

R.E.M.: Don't Go Back to Rockville (1984)


Mike Mills wrote this piece as a plea to his girlfriend to not leave for her parents’ home in Rockville, Maryland. The band originally conceived the song in punk fashion, but changed it to its now familiar country sound as a joke. In the band’s later years, Mike Mills took over vocals on the song.

Acoustic:


Studio:


Mike Mills:

Sunday, December 8, 2013

Black Sabbath: End of the Beginning (2013)


It's the era we live in when a group of 60-somethings have one of the year's better songs. Sabbath debuted their modest rock hit (#38 on the rock charts) on  CSI. The band even appeared on the show.


 

 

Saturday, December 7, 2013

1955 in music


“Rock Around the Clock” appears on the British charts for the first time. The song would not become a hit in the U.S. until the film Blackboard Jungle is released later in the year. The song ignited the First Rock Era (1955-59). The song reaches #1 on the charts. Shortly thereafter, Little Richard records “Tutti Frutti” and Elvis hires Colonel Tom Parker to manage his career.  Additionally, Pat Boone debuts and 45s outsell 78s for the first time in history.

#1 song of 1955:

Rock Around the Clock by Bill Haley and the Comets: http://www.youtube.com/watch?v=N-qjc17KEsc

Other hits:

Sixteen Tons by Tennessee Ernie Ford: http://www.youtube.com/watch?v=zUpTJg2EBpw


Love is a Many Splendored Thing by the Four Aces: http://www.youtube.com/watch?v=GnDtxiNwDS8

The Ballad of Davy Crockett by Bill Hayes: http://www.youtube.com/watch?v=lZoq8yjOvxs

The Yellow Rose of Texas by Mitch Miller: http://www.youtube.com/watch?v=zLw7Rot-9oY

The Great Pretender by the Platters: http://www.youtube.com/watch?v=6gBxeslnd0Y

Folsom Prison Blues by Johnny Cash: http://www.youtube.com/watch?v=bDktBZzQIiU

Tutti Frutti by Little Richard: http://www.youtube.com/watch?v=QFq5O2kabQo

 

Friday, December 6, 2013

Isaac Hayes: Shaft (1971)


Shaft is a defining song of the seventies. The song dramatically influenced funk and soul throughout the decade as well as black culture. Hayes won an Academy Award for Best Original Song, which was a first for a black artist. The film also influenced the decade and filmmakers beyond the seventies. It opened the door for the black action hero and blacksploitation flicks.

Tuesday, December 3, 2013

David Bowie: Changes (1972)


David Bowie spent his entire career reinventing himself. As a result, “Changes” is something of a theme song for the crooner. The song truly introduced Bowie to Americans and was the last song he ever sang live prior to his retirement (although he has since released new material).

Sunday, December 1, 2013

Montrose: Bad Motor Scooter (1973)


The song begins with a guitar emulating a motorcycle. Ronnie Montrose came across the sound accidently while a tape inadvertently rolled. As a result, the band captured the intro which they felt the song desperately needed. The song has since been a staple of Sammy Hagar’s live performances.